you made me / skin on linen
Label: Sub Pop
Catalog #: 71753
Pre-order details
- Loser LP color may differ slightly from the image.
- Customers will be given access to stream the full album up to four (4) weeks before release date from your SubPop.com account, with your pre-order of the album on any format.
- All pre-orders will also receive any and all pre-release track downloads in advance of the album release as they are made public, which will be available from your SubPop.com account as they become available.
- All physical pre-order items should ship out from our warehouse in Seattle, WA between 5-8 days before release date, so long as there are no delays in manufacturing that would delay this advance shipping timeline.
- International orders may not arrive by release day as extra time must be taken into consideration for distance traveled and customs department clearance.
As part of our album rollout, we’re partnering with autonomous spaces, anarchist infoshops, lending libraries, and collectively-run, radical, or feminist record/bookstores around the world to distribute free records, CDs, and tapes :~)
For the next two months (September 2nd - October 30) you can purchase an additional copy of you made me / skin on linen to be donated to one of these spaces!
Here’s how you can donate a copy:
Go to Sub Pop’s webstore to preorder you made me / skin on linen
From the dropdown menu, you’ll see an option to “Donate a Copy”
From there, you can donate a copy of the album on its own, or you'll have the option to add a donation copy to your pre-order of the album.
The donated copy will be sent to an organization in North America, which will then distribute it according to the unique needs of their community.
The purpose of this project is to increase the accessibility of physical copies of the record, but I also hope it will encourage anyone who enjoys our music to connect with other radicals in their area!
It is more important than ever to lean into offline, autonomous social spaces. We cannot build a real movement by communicating with tools built and controlled by the powers we aim to challenge!!!
Most people I’ve met at PISS shows are inclined toward liberatory politics in some way, and many of the conversations I’ve had with you all have featured recurring sentiments:
- “I feel powerless to change anything”
- “I don’t know where to begin”
But you are not powerless!! And it is much easier than you think to begin to change things.
Here is a list of radical organizations around the world: https://slingshotcollective.org/radical-contact-list/
Look for your city, visit one of the spaces listed, and you will find like-minded orgs already working to build a better world. And they are looking for people just like you!!
With love,
Tay (from PISS) <3
Donated copies will be sent to the following spaces. More recipients will be shared throughout the campaign. If you run a similar space in North America and are interested in receiving donated copies for your communal libraries or to distribute to your community, please reach out to mattk@subpop.com
Spartacus Books - Vancouver, BC
High Queerdness - Calgary, AB
Word Up - NYC, NY
Lucy Parson’s Center - Boston, MA
& more!
PISS is a noisy, genre-bending four-piece band from Vancouver, B.C. Combining punk, poetry, sound collage, performance art, and visual art, the band creates a multidisciplinary body of work that blurs the line between personal and political.
Powered by thoughtful musicianship, energetic live performances, and a crystal-clear artistic mission, PISS writes punk music that aims to transcend the limitations of a well-established genre. Their work draws inspiration from a range of unexpected influences: literary giants, philosophers, filmmakers, painters, psychoanalysts, activists, children, members of a German anarcho-feminist militant group, and conversations with audience members. These voices represent varying ideological beliefs about gender-based violence and enable PISS to create art that depicts challenging and controversial issues such as sexual violence and enculturated gender norms without reduction, romanticization, polemics, or dogmatism.
Their debut LP, you made me / skin on linen, depicts a childhood shaped by structural, systemic, and intimate violence. Throughout the record, art-making motifs serve as metaphors for the myriad ways we carry the effects of this violence: each experience leaves an impression, gradually creating or deforming the self, much like a piece of clay molded by every mark it receives. The record resists simple conclusions; rather than offering a single perspective, it examines violence as a ubiquitous facet of our culture. It asks questions—how does violence impact our development? Are our wounds inextricable parts of us? And if not, then where do our wounds end and we begin?—and allows the listener to devise their own answers.
The album's first singles introduce listeners to different corners of that world, each exploring a different facet of the narrative that unfolds across the full record. "time loop at hot slit" is a frenetic noise-punk examination of girlhood in a culture of sexualization, pairing a danceable chorus with witty, poetic lyrics “wailed in anguish and uncanny eroticism”. "blocking a scene you can't remember" slows everything to a near standstill as the album’s slowcore song, unfolding as a fragmented rehearsal for a confrontation that is repeatedly interrupted by trauma. “Rote Zora. “Resistance is Possible.” Emma, no. 6. June, 1984, pp. 39-41.” transforms a transcript from an archival interview with the German feminist militant group Rote Zora into lyrics for a cacophonous exploration of resistance, agency, and collective action. Finally, the sludgy noise-rock single "i wanted to be a singer" strips away metaphor, foregoing literary devices and narrative techniques, to open the record with a direct address that asks listeners to approach the album not as entertainment, but as lived experience.
While you made me / skin on linen exists as a recorded work, PISS was meant to be experienced live. Every performance presents the album’s narrative, preserving its emotional arc from beginning to end, while allowing the work to exist as an evolving experience. With each show, the band aims to transform venues into spaces where confrontation, catharsis, reflection, and mutual care can coexist.
PISS made their live debut at Vancouver’s DIY venue Red Gate in April 2024 with little expectation beyond performing locally. Instead, the 30-minute performance left the audience transfixed by a set that moved through crushing noise, intimate subtleties, spoken-word samples, and moments of overwhelming emotional release. Taylor Zantingh’s visceral physicality challenges onlookers to move beyond passive media consumption. On the record, she describes how violence from her past affects her present; in a live show, audiences become active participants, witnessing her depict the enduring impacts of trauma in real time. The band’s first show sparked word-of-mouth momentum that has since spread from Vancouver’s local underground scene to audiences, journalists, and musicians around the world. In just two years, PISS has sold out headline shows across eight countries, appeared at leading festivals throughout North America and Europe, and signed to Sub Pop Records—all before a formal release.
PISS is Taylor Zantingh (vocals), Tyler Paterson (guitar), Gavin Moya (bass), and Garreth Roberts (drums). The band recorded their debut album, you made me / skin on linen, in January 2025 with Colin Stewart at Hive Creative Labs. The album is forthcoming on October 30, 2026 via Paper Bag Records (Canada) and Sub Pop Records (worldwide).
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